The Orchestra (For Now)
London seven-piece The Orchestra (For Now) return with their eagerly awaited second EP, Plan 76. The release follows closely on the heels of their debut EP Plan 75, which was released earlier in 2025 to widespread plaudits.
The last couple of years have seen the band on the kind of ascent that most new acts can only dream of. They’d played the main stage at Green Man Festival, appeared at End Of The Road Festival, and played several sold-out headline dates before even officially releasing a single. Having honed their sound on the London live circuit, the band released their much-anticipated debut EP Plan 75 earlier this year igniting a fire amongst critics and their fanbase-cum-congregation alike. Capturing that same energy and passion that had made them an unmissable word of mouth success, the band sold out the Rough Trade exclusive version of their EP in less than 12 hours, earned widespread plaudits from the likes of NME, DIY, Rolling Stone, So Young, Clash, DORK, and Billboard, and sold-out their release show at London’s Institute of Contemporary Arts.
Plan 76 sees The Orchestra (For Now) continue to develop on their maximalist approach to what they have self-described as “London prog”. Combining avant-garde rock theatrics, intricate classical interplay, pastoral baroque indie, post-hardcore dynamics, jazz-tinted freakouts, and everything in between, the EP is an expert-level exercise in tension and release. The elements that made their debut a breakthrough success are still there, the compositions are unpredictable yet unmistakably hook infused, and there are droll references to pop culture and the world surrounding them, but here everything is levelled up, the underpinning fragility wrapped in a shroud of musical confidence that can only come with such wide-eyed ambition.
Going on to speak about the EP, they say “Plan 76 completes the first story we wanted to tell. It is a continuation of the themes in our first record but placing what we established there in different worlds and situations. Instrumentally speaking it is, to us, more ambitious. Not because we are playing incredibly complicated parts, but the opposite - we tried to refine rather than complicate. There are incredibly exposed moments, where we stripped the instrumentation back (which is not natural for us to do). This EP is also setting the scene for what will come next..”